But it's still only February, so what ever will we do in the meantime? I know! Let's have a preview!
First, the basic idea of the series, again, is:
Opening yourself up to a whole new world can leave you
vulnerable—but it’s the only way to grow. That’s what Rip Cooper has to do when
he learns he can perceive ghosts with his five senses as if they were flesh and
blood people, and he’s just as solid to them—in fact, the only solid thing to
them. This young loner has to overcome his fears and kill dead people to
prevent them from corrupting the living. He works alongside an impure angel and
his ex-best friend’s ex-girlfriend as they teach him how love can conquer fear.
You can find more information here.
RIP tells one big coming-of-age and redemption story over a series of novelettes...e-novelettes, that is.
The first installment is titled "Touch."
I've posted the teaser below. Other excerpts might find their way onto my Facebook page from time to time.
Text copyright Daniel R. Sherrier. Do not reproduce without permission.
TEASER
Rip
Cooper never forgot the haunted house in which he spent his early childhood,
though no one else seemed to notice its condition. Did he imagine it? No, he
remembered the day all too well, and every memory earns its place.
The
Cooper family lived in a tiny home, a quaint box with two tight floors and a creepy
basement. The front lawn was always kept trim, though there was too little lawn
to qualify that as a feat of any proportion. The real selling point was the
in-ground pool in the backyard. A lovely pool, indeed. Its square footage nearly
rivaled that of the house itself. The quaint box’s age spanned decades, thereby
qualifying as ancient to its five-year-old resident.
The
kitchen had a decent stretch of smooth, tiled floor—creaky, like the rest of
the place, but excellent for rolling around toy cars. Rip gave one a hard push,
and it raced away.
“Ripley,
don’t leave any of those toys lying around when you’re finished, please,” his mother
called out from the living room.
The die-cast
metal car careened across the kitchen floor and through a crack under a door,
the most horrible door in the whole wide world—the door to that creepy
basement. He shouldn’t have pushed so hard.
Rip
scooped up his other cars and dumped them in their box. Just one more to claim,
but it had escaped his view. He inched toward that looming door, stopping as
soon as his arm was within reach. Leaning forward, he stuck his fingers in the
crack and pulled the door out, hoping that would reveal the wayward toy and he
could grab it and close the door just as quickly.
It
didn’t. All he saw was a deep, dark gulf. And somewhere down there in that
foreboding abyss was his car.
His
crawling skin suggested he stop right there, and a newly unsettled stomach
seconded the motion.
His
mother wanted him to pick up his toys, all his toys. She always warned that
people could trip on them. Therefore, he had no choice. He needed to enter the
basement.
He
trembled as he crept down the wooden staircase into the chilly depths. Each
step laughed at him with a creak.
The
light from the kitchen shined a perfect path to the stray car. There it was,
overturned near the shelves. He just had to follow the light, grab the car, and
leave. Why did it have to be so far away?
His
foot touched down on the smooth, rock-hard ground. He quivered as his courage
faltered, and he began turning back to the kitchen…No! He had to get his toy.
His mother said so. And you always do what your mother tells you, especially
when she says please.
He
took a few more steps toward the car, trying his best to resist the shiver sent
from his brain straight down his spine.
Then
he made the mistake of looking up.
Gleaming
jack o’ lanterns lined the shelves up and down the wall—and that was just in
the parts he could see. They weren’t there a moment ago, were they? He forgot
all about a moment ago, because big ugly pumpkins now grinned at him, each one
carrying a small piece of hellfire inside.
Rip
screamed. He spun around to escape—so quickly that his legs tangled his feet,
causing him to trip and crash to the floor.
He
buried his face in his hands. He should have covered his ears.
“My,
aren’t we a brave little one?”
A man
was in his basement, and it wasn’t his father; wasn’t any relative. The voice
was unfamiliar, new. It didn’t belong.
Rip
sprang to his feet and froze. The jack o’ lanterns had vanished, and in the
middle of the lighted path appeared a gaunt old man with wizened skin,
disheveled silver hair, and no smile. Nice people smiled.
Rip
had never seen him—not a moment ago, not a month ago, not ever. Sure, those
hideous pumpkins were gone, but a strange man in raggedy clothing now stood in
his basement. At least he could run away from pumpkins…they couldn’t reach out
and grab him…
The
old man’s jaw dropped. “You can see me, and hear me.” His voice was gravelly,
but the chuckle that escaped his throat was worse. “I see. You’re one of the
Seven, aren’t you, boy?” He stepped toward young Rip.
The
boy instinctively shielded his eyes, muttering, “No, no, no…”
The
old man began, “Do you know how long—” and Rip heard nothing else.
He
opened his eyes and peered around. The man had disappeared.
But
the jack o’ lanterns were back. This time, they cackled at him.
Crying
piteously, Rip booked it up the stairs to the safe haven of brightness above.
He slammed the door behind him with enough force to rattle the kitchen window.
What
Rip hadn’t realized, and didn’t dare contemplate just then, was that the old
man hadn’t gone anywhere. He was still there, lurking in the shadows of the
basement, just as he had for years.
“Just
a little boy. A little coward,” the old man said, letting out a wheezing laugh.
“Good.”
He
strolled over to the abandoned toy car. He knelt and held his hand over it. The
die-cast metal, untouched, began to vibrate.
“I’ll have nothing to fear from a coward.”
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